Abstrakte Kollegen Trefftoller Film von Lutz Dammbeck (DDR, guter Mann, lebt noch) über Arnulf Rainer, die Akademie der bildenden Künste Wien, TUMULT, Nationalsozialismus, die schöne Stimme von Hannelore Hoger uvm.
siehe auch https://herakleskonzept.de/
Lutz Dammbeck Biographie
Empfehlung https://edition-nautilus.de/programm/besessen-von-pop/
Liebe Gemeinde!
Wir treffen uns nächsten Dienstag den 16. Dezember 2025 zur Jahresabschlußfeier im 117.
14 Uhr spätestens Abgabe der Kunstwerke, die unter allen Beteiligten verlost werden. Alle Techniken sind erlaubt, Maße unter 30 x 40 Zentimeter.
Bitte verpackt eure Werke. So daß man nicht erkennen kann, was von wem ist. Wir werden dann alle durchnummerieren.
15 Uhr Präsentation von Lilly Gummerson
16 Uhr XmasZappyLecturePerformance2025
Aufbereitete Lesung: „das phänomen wiener gruppe im wien der fünfziger und sechziger jahre (im letzten Jahrtausend) von Gerhard Rühm, 1967“, ca. 30 Minuten mit pünktlichem Beginn
Danach Verlosung
Essen Trinken Musik,
Ausklang
Wir freuen uns auf euer zahlreiches Erscheinen
Euer Fachbereich Abstraktion
°°°°°°
Dear congregation!
We will meet next Tuesday, 16 December 2025, for our end-of-year party at 117.
Artworks must be submitted by 2 p.m. at the latest and will be raffled off among all participants. All techniques are permitted, dimensions should be less than 30 x 40 centimetres.
Please wrap your works so that it is not possible to tell which is by whom. We will then number them all.
3 p.m. Presentation by Lilly Gummerson
4 p.m. XmasZappyLecturePerformance2025
Edited reading: „The Vienna Group Phenomenon in Vienna in the 1950s and 1960s (in the last millennium) by Gerhard Rühm, 1967“
approx. 30 minutes, starting sharp
Followed by a raffle
Food, drinks, music,
closing
We look forward to seeing many of you there.
Your Department of Abstraction
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not to forget, don´t miss: we will visit
Verborgene Moderne Zur Faszination des Okkulten um 1900
with guidance by the curator Ivan Ristic on thursday, december 18th at Leopoldmuseum, 4 am | 16 Uhr
Material:
https://www.deutschlandfunk.de/verborgene-moderne-zur-faszination-des-okkulten-um-1900-ausst-in-wien-100.html
F.A.Z. Seelenfänger Leinwand – Von Stefan Trinks
https://archive.ph/frbF0
Der Standard
https://www.derstandard.at/story/3000000286096/seancen-bis-veganismus-spirituelle-stroemungen-um-1900-im-leopold-museum
( … a.k.a. wir müssen hier raus! )
… Hanna Mittelstädt war neulich an der Akademie und hat gelesen aus der surrealistische Zeitschrift. Hier Nachtrag (zum hören) und weiter mit Situationisten und Subrealisten:
Red Threads, Loose Ends, Another Sculpture Is Possible
SYMPOSIUM
Do 16.10.2025 11 – 19 h
Bildhauereiateliers Kurzbauergasse 9 1020 Wien Raum EG 23
Wie zeitgenössische Skulptur hergestellt, diskutiert und interpretiert wird – ebenso wie das Verständnis ihrer komplexen materiellen, räumlichen, situativen und thematischen Beziehungen – bildet nur den Ausgangspunkt für die vielschichtigen Diskussionen, die in jedem in den Bildhauereiateliers angesiedelten Fachbereich der Akademie der Bildenden Künste Wien stattfinden.
https://www.akbild.ac.at/de/institute/bildende-kunst/veranstaltungen/konferenzen/2025/red-threads-loose-ends-another-sculpture-is-possible
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FERNHEILUNG
Ausstellungseröffnung Mi., 15.10.2025, 18 Uhr
Universitätsgalerie der Angewandten im Heiligenkreuzerhof
Zugang über Schönlaterngasse 5 / Grashofgasse 3, 1010 Wien
Konzipiert von Robert Müller im Dialog mit Helmut Draxler
Die Ausstellung Fernheilung blickt auf das künstlerische Geschehen in Wien in jenem Jahrzehnt, in dem die Sammlung der Angewandten gegründet wurde. Anhand von Werken aus dem Umfeld der damaligen Hochschule, von Dokumenten und von ausgewählten Leihgaben entsteht ein Parcours, durch den wichtige Ereignisse, Ausstellungen, künstlerische Strömungen und Diskursformationen in ihrem Zusammenhang erkennbar werden sollen. (…)
Fernheilung ist kein kulturhistorischer Abriss einer Dekade; vielmehr versucht die Ausstellung, den Zusammenhang stets verdichteter künstlerischer Produktion mit ihren sich rasch verändernden raum-zeitlichen Bedingungen zu fassen und derart der Sammlung selbst, über ihre spezifischen Grenzziehungen und Rahmungen hinweg, ein eigenständiges kulturelles Profil zuzuschreiben – auch auf die Gefahr hin, so ein weiteres Zerrbild des Zerrbildes zu erzeugen.
https://universitaetsgalerie.dieangewandte.at/events/fernheilung/#
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Vienna Art Book Fair
17. Oktober 2025 – 19. Oktober 2025
Free Entry
Friday, 17 October 2025: 5-9 PM
Saturday, 18 October 2025: 1-7 PM
Sunday, 19 October 2025: 12-6 PM
Venue
Vordere Zollamtsstraße 7, 1030 Vienna
see you
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gute Kino-Unterhaltung
„If we can accept that the enigmatic is at least in some way valuable to artistic accomplishment, then we begin attempting to address what that enigma is. The two questions here are, first, what it is that artists pursue in their resistance to interpretation, and second, by what means do they resist interpretation. The answer to the first is, unsurprisingly, enigmatic. No artist knows precisely what they’re doing because artistic decisions are imprecise and instinctual, driven by a prelinguistic impulse that’s present in all but the laziest and most cynically instrumentalized artworks. It’s possible to give that impulse a name, however, which we can call the idée fixe. This is not just obsessiveness, but a specific investment in one’s artistic practice that takes the artist beyond the idée reçue, the established, conventional idea of art that characterizes contrived or otherwise uninspired forms of art. It isn’t creativity, or inspiration, or self-expression, or individual „genius“, although it isn’t entirely unrelated to any of those concepts. A sense of personal style is a sort of analogue, as is morality. Perhaps the closest comparison would be the muse if considered as the abstract force implied by the concept, removed of any romantic or mythological connotations. More loftily, it’s a term for what drives dialectical self-criticism, an outside influence that generates the artistic subject. The fundamental quality of the idée fixe that makes other terms inadequate is that it is outside of the artist and precedes them. It functions as a precursor, an intuition of something larger than oneself that leads the artist to mold their subjectivity and way of life to accommodate the possibility of realizing works of art. Naturally, it’s impossible to disentangle the contingent assemblage of coincidental influences, inherited traits, and practical considerations that go into an artist’s development, but the drive to be devoted to art’s internal logic as something immanent to itself and beyond (but not necessarily in direct opposition to) the desire for fame, money, or posterity is fueled by this preexisting force that can’t be cogently taught or acquired but also isn’t inherent to the individual. If the idée reçue delimits the space of contrived, normative, known, and/or careerist art, the idée fixe is the force that keeps artists of talent within the sphere of the enigmatic, unreconciled to the familiar and dedicated to art’s own nature. (…)“
full text:
https://manhattanartreview.com/picabiatrockel.html
https://www.instagram.com/p/DNgrXYfRcR8/?img_index=1
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https://www.hauserwirth.com/hauser-wirth-exhibitions/francis-picabia-eternel-recommencement-eternal-beginning/
I asked Lucijan Osvald from the Figuration Department if I could share an excerpt from his diploma thesis here with you.
Because of a fantastic helpful and wise advice he got from Alastair MacKinven: truly paint.
to really really paint
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First of all I wanna thank everyone who made this exchange programs even possible and to all the people in Ghana who made me instantly feel welcome.
I haven’t experience a lot until now but still I want to share some approaches I found completely different over here and also maybe some more surprising facts or inputs I got.
1.) no matter where you go people will great you, ask you how you are and also if you have eaten. Sharing food is really part of the co-living experience here. If you go out for lunch with 2 friends they will rather give you a bigger plate where you all eat together out of than 3 single plates for each one. Friends often paid for my taxi or drinks/food.
2.) a deep understanding of faith and religion. I think I can speak for most of us, religion and faith in Europe is something for the older generation and often considered as old fashioned due to various POV. Here you will encounter the name Jesus on cars, T-shirts, houses and wherever you go. I had a hard time getting this, since colonialism (in Ghana under the British) came up with this ideas here. I had a talk with a friend and he said that the Ashante people always had a strength connection with the spiritual world and that it’s hard stopping something that you got used doing and that you found out is working for you. Moreover church service over here is much more alive than in Europe, it’s popular among every age group and a true meeting point for social life. It’s in fact a mix of older rituals, songs, dances and bible analysis, trance prayers that at first sight doesn’t even seem to be christian. If interested check https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://www.youtube.com/watch%3Fv%3DPIVkXlFrgbU&ved=2ahUKEwjvhq-s9reNAxWRUkEAHb4wHG8QtwJ6BAgOEAI&usg=AOvVaw3IRNuzQDNKca0w8XyVStLL
3.) A history I’m only about to learn. Was shocked when I discovered that the Ashante were really excellent fighters and had a truly impressive empire built up among the Westafrican countries. The massive amount of gold combined with their unique way of discipline and organization made a one hundred years resistance against the British possible! They even had guns thanks to trades with the dutch. Sadly europeans burned most of their literature down, eliminating also hundreds of years of history. If interested something to read:
4.) Education. Could attest a short meeting of a group of Estonian students coming to Kumasi for an 8 days exchange. Felt a bit awkward when they presented Estonia to the local students, displaying a very childish power point presentation. However, Ghana displays a remarkable education system and even the university I’m studying in is highly known among the african countries and over. Kwame Nkrumah was an amazing personality who made a lot of things possible here. That’s also why they named the university after him. Then afterwards the Ghanaians showed them how to hold a good presentation about their country without getting boring nor childish.
5.) Music: since rhythm and music is inevitable when coming to Ghana. There’s sometimes no hour passing where silence could spread. On the streets in the houses and cars around is always something to listen to if you want or not. Even in the nighttime (got quite used to it now, wonder how it will be like sleeping in complete silence when I’m back) I’m sharing some artists with you:
Black Sherif (the Ghanaian Taylor Swift)
Dr Paa BoBo (sings in Twi, influenced with guitars from colonial times)https://www.google.com/url?sa=t&source=web&rct=j&opi=89978449&url=https://www.youtube.com/watch%3Fv%3DKPDYVftmPfg&ved=2ahUKEwjZpL7L_beNAxXxBfsDHVpONuoQ78AJegQIGBAB&usg=AOvVaw0jGd4HAnz8IWY-XcYEgWfv
